Home Residents Noël Picaper

Noël Picaper

Architecture / Landscape architecture / Urbanism
Apr. 
 Jul. 2024

Presentation

Architect Noël Picaper is a 2016 graduate of École Nationale Supérieure d’Architecture (ENSA) in Strasbourg. Having worked in Switzerland, Japan and France, in 2019 he set up Onomiau, an architecture and design practice with which he navigates among various formats, for example public pavilions, individual constructions, urban and landscape studies, exhibitions, teaching and fiction.

Alert to Earth’s cycles and rituals, Picaper devotes part of his research to strange architectures which, for a brief instant, intensify a space’s qualities and transform users into explorers. Often modest in size, these structures condense worlds and exhibit their vulnerability as an essential quality. Their position and involvement in public space, and the pedagogies they inspire, make them spaces which can resonate on a territorial scale. They appear and disappear like ghosts, leaving behind traces of a discreet, sometimes invisible yet essential present.


Project

Yakitecture, notes sur une architecture de la combustion (Yakitecture, notes on an architecture of combustion)

Noël Picaper explores the relationships between architecture and fire in Japan. From incandescent rituals to charcoal-based construction materials, combustion tells of different ways of inhabiting the world. From both a symbolic and technical perspective, conflagration sparks a narrative that instantly brings together future desires and ancient times.

At Villa Kujoyama, Picaper observes and notes Japanese assemblies and spatialities which govern figures and gestures that are linked to flames (restoration, onsen, tea pavilion, ceremonies, ghosts and demons, yakisugi, yakihata, heating devices, etc.). He then considers these systems in terms of a possible actualisation. Picaper, who has a particular interest in the creation of pavilions and public space, sets out to formulate hypotheses that can awaken the dormant elements in the environments we traverse. These reflections on combustion are an opportunity for him to develop a peculiar architectural language – in keeping with the directions his practice takes – in which archaisms and contemporaneity dialogue through archetypes, signs and rites.

Crédits

Photos :

©Onomiau